- ABSOLUTE SOUND REFERENCE RECORDINGS CD MOVIE
- ABSOLUTE SOUND REFERENCE RECORDINGS CD FULL
- ABSOLUTE SOUND REFERENCE RECORDINGS CD PLUS
Tutti includes the Minnesota, Philharmonia Baroque, Czech State Philharmonic, Seattle Symphony and Dallas Wind Symphony Orchestras, along with the Turtle Creek Chorale.
Sixteen musical selections include compositions from the legendary Rimsky-Korsakov, Igor Stravinsky, Wolfgang Amadeus Mozart, Antonio Vivaldi, Richard Strauss and Mussorgsky-Ravel.
ABSOLUTE SOUND REFERENCE RECORDINGS CD FULL
Tutti is Italian for 'all together now,' as in the sound of a full orchestra playing in perfect ensemble." Their ten-dollar 24-bit HDCD disc from 1997 is a sampler of Reference Recording's classical orchestral releases. The XLO Test & Burn-In CD is expensive, with less objective tests and audiophile-quality music selections than found in other discs. It includes Eileen Farrell's wonderful vocalization of the torchy jazz favorite "Stormy Weather," a deep pipe organ and two dozen violins.
ABSOLUTE SOUND REFERENCE RECORDINGS CD PLUS
XLO has tracks for balance, wiring and polarity, sound-staging, imaging and depth, absolute phase, demagnetization and burn-in, plus a selection of jazz and classical. The XLO has speaker setup tracks that are useful in finding the best spots for speakers in a room. The disc includes a mix of both objective and subjective reference material. XLO / Reference Recordings Test & Burn-In CDĪt thirty bucks, Reference Recording's gold 1995 disc is twice the price of Stereophile magazine's best offering, yet remains popular. Overall, some very good sonic performances in an average price CD. The disc has alto, tenor and baritone saxophones, trombone and trumpets, string bass and some nice piano samplings, but no vocals. It has 14 songs from some of the great jazzmen who lived and played through The Age of Swing: Phil Bodner, Urbie Green, Milt Hinton, Butch Miles, Bucky Pizzarelli, Joe Temperly, Frank Wess and Joe Wilder. The quality and upbeat tempo of this disc is enjoyable, even if you are not an outright fan of the music. Audiophiles should seriously audition this one bopping disc. This 1994 HDCD is one of Reference Recording's all-time bestsellers and for good reason. Reference offers audiophile-quality classical, jazz, vocal and test recordings from San Francisco, CA. Reference Recording's From the Age of Swing is the second kind of They reveal the sonic range and signature of the actual sound. Instruments playing specific notes are even better. Pure test tones familiarize the listener with specific frequencies. Ideally, these types of reference discs include a variety of instruments and vocals preferably solos.
The disc squeezes the very last drop of realism, accuracy and musicality out of the performance, venue, equipment and engineers. This is the reference quality music CD: an audiophile recording. The second kind of Test CD is emotionally involving, but just as useful. Clinical tests are especially useful at finding nulls in frequency response of the listening room, which suck out bass, imaging and details. These include some form of test signal tracks, along with instrument solos or real world sounds. It has test tones and measurements for analytical comparisons. The first kind of Test CD is dryly clinical. So far, I reviewed the three enduring Stereophile magazine Test CDs and three high-quality Digital Music Products (DMP) There are two basic kinds of home audio Test CDs. In fact, Reference Recordings now offer their original 24-bit/176.4kHz recordings on WAV files. Even optical discs will eventually go the way ofġ2-inch black vinyl discs as digital music servers become the primary recorded music source.
ABSOLUTE SOUND REFERENCE RECORDINGS CD MOVIE
More and more home music and movie reproduction systems now include something like the Like everything else in the world of high audio fidelity, these tools are changing too. You cannot see what your ears are hearing without them. Tell you what you are hearing, but illuminate why you are hearing it. Never visit another sound system home without them. One is the ubiquitous sound pressure level (SPL) meter. If you are an audiophile who enjoys tweaking the last little bit of sonic truth out of your system, there are two essential tools for objectively gauging its audio width and depth. I enjoy live music, but I enjoy getting the most realism out of my home music and movie reproduction system just as much. When this incident happened some years ago, I had to pause, nod my head and admit it. "W hat are you," the acerbic salesman teased at my apparently annoying request, "some kind of _ _ _ king audiophile?" Reference Recordings CDs for subjective and analytical comparisons.
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